‘bauhaus imaginista’ left the national framework of the Bauhaus centenary celebration, seeing modernity as a cosmopolitan project that emerged through transcultural exchange of the sort that continues to have an impact today. Over four chapters, the exhibition discussed avant-garde art schools in India and Japan as parallel histories of modern educational reforms (‘Corresponding With’). It traced the study of pre-modern crafts at the Bauhaus and by Bauhaus students in North and Central American exile as well as their politicization in post-revolutionary Mexico, independent Morocco and Brazil (‘Learning From’). It showed not only adaptations of Bauhaus design approaches in China, Nigeria and the Soviet Union (‘Moving Away’), but also the innovative use of media at the Bauhaus, which impacts art and pop culture even today (‘Still Undead‘).
Following exhibitions, symposia and workshops in 2018 in Hangzhou, Kyoto and Tokyo, Saõ Paulo, Lagos, New Delhi, Rabat, New York and Moscow, in co-operation with the local Goethe Institutes and other partners, for the centenary all four chapters were brought together under one roof for the first time in Berlin’s Haus der Kulturen der Welt. From September 2019 to January 2020, the whole exhibition was presented at Zentrum Paul Klee in Bern.
Questions of transcultural modernity were also continued until 2020 with new exhibitions and research with Nottingham Contemporary and SALT Istanbul.
Lanched in 2018, the development of the project can be observed in the online journal www.bauhaus-imaginista.org, which offers a platform for artists and researchers around the world to exchange views and ideas.
Verlinkung auf externe Seite bauhaus imaginista
“bauhaus imaginista” is curated by Marion von Osten and Grant Watson in co-operation with a team of international researchers and artists. It is a collaboration between the Bauhaus Kooperation Berlin Dessau Weimar, the Goethe-Institut and the Haus der Kulturen der Welt (HKW). The research project with its different exhibition stations is taking place for the centenary of the founding of the Bauhaus. It will be enhanced with international perspectives of the Goethe Institutes and tied together as part of 100 Years of Now in Berlin at Haus der Kulturen der Welt. bauhaus imaginista is made possible by funds from the Federal Government Commissioner for Culture and the Media. The German Federal Cultural Foundation is supporting the exhibition in Berlin and the German Foreign Office the stations abroad. Media partners are 3sat and Deutschlandfunk Kultur.
More articles on this topic
Online Journal Edition Still Undead
In the fourth and final chapter, ‘Still Undead’, ‘bauhaus imaginista’ investigates the Bauhaus’s experimental approach to a range of new media through photography and film, kinetic sculptures, visual devices and sound experiments.
Global Resonance Spaces
How, one hundred years after the founding of the Bauhaus, can culture be rethought as a social project? And how does the design school continue to inspire visionary practices and discourses today? The curators of bauhaus imaginista Marion von Osten and Grant Watson discuss with art historian Mona Schieren the Bauhaus’s transnational relationships, correspondences, and migration stories, and its relevance for an art, design, and education of the future.
This one school, it's still resonating
Has the Bauhaus left behind a trail of light, like the task of the foundation-course exercise at the university in Weimar? We asked eight friends, critics, organisers and participants of the Bauhaus centenary to provide a brief summary.