1927–1928 Bauhaus student / 1930 guest student
Alfredo Bortoluzzi was born on 21st December 1905 to Italian parents in Karlsruhe and grew up there, making regular visits to his relatives in Venice. After completing his secondary school leaving examination, he was accepted to study at the art academy in Venice, but turned this down in favour of a place at the Akademie der Bildenden Künste in Karlsruhe – a choice motivated by the more modern teaching methods in Karlsruhe, which made the curriculum in Venice seem antiquated and outdated by comparison. Bortoluzzi states that his tutors during his student days from 1924 to 1927 included Hermann Gehri, who taught figurative drawing, and most notably Walter Conz, in whose etching class he gained his diploma as a masters student. Offered a position as an assistant to Conz, he chose instead to continue his studies at the Bauhaus Dessau. He enrolled there for one term in 1927 and 1928 respectively and returned again in 1930 as a guest student. After taking Josef Albers’s preliminary course, he attended the drawing and painting classes of Wassily Kandinsky and Paul Klee and Oskar Schlemmer’s Bauhaus stage. In 1930 his work was shown in Galerie Ferdinand Möller, Berlin, in a joint exhibition with other Bauhauslers sponsored by Paul Klee and organised by Ernst Kállai. In 1931 Galerie Flechtheim, Berlin, showed an exhibition of works by Paul Klee and Alfredo Bortoluzzi. In 1933, he participated alongside other Bauhaus artists in an exhibition in Düsseldorf; the exhibition was closed and the works condemned by the National Socialists as ‘degenerate’ art.
Prevented from painting, Bortoluzzi devoted himself to his further passion, dance. He built on the principles that he had learned under Oskar Schlemmer and took ballet lessons in Karlsruhe. In 1936 he moved to Paris and studied classical ballet at Lubov Egorova’s École de Danse. He won prizes, became principal dancer at the Paris Opera, worked as a choreographer and designed stage sets. In autumn 1936 he returned to Germany, initially taking a position as ballet master at Stadttheater Aachen; engagements as a dancer, choreographer and stage designer in various cities in Germany followed up to 1944. After WWII, he first worked as a choreographer and set designer at Badisches Staatstheater Karlsruhe before taking up other positions in Dresden, Bielefeld und Essen. In 1958, a serious knee injury ended his career as a dancer. However, Bortoluzzi had never given up painting; he now devoted himself entirely to it and moved to Italy, to Peschici in the province of Foggia in the Appulia region. Alfredo Bortoluzzi died on 21st December 1995 in Peschici. [SN & BK]
∙ Gaetano Cristino, Guido Pensato (2001): Alfredo Bortoluzzi – Die Lektion des Bauhauses, Mendrisio.
∙ Gaetano Cristino, Guido Pensato: Fondo Alfredo Bortoluzzi. Quaderni 1–4, Foggia 2010–2013.
Main focus: Preliminary Courses with Albers, Klee and Kandinsky, Stage Workshop with Oskar Schlemmer
More articles on the topic
Blühová was one of the few students at the Bauhaus to engage with social photography. Before joining the course, Slovakian-born Blühová was already observing the lives of people around her with a critical eye.
Der Metallgestalter August Agatz studierte 1927/28 am Bauhaus Dessau. Es folgt bis 1930 eine Anstellung in der vom Bauhäusler Christian Dell geleiteten Metallwerkstatt an der Kunstschule in Frankfurt am Main. 1932 macht sich Agatz in Hagen selbstständig und ist als KPD-Stadtverordneter aktiv. Nach Festnahme und Verurteilung zur vier Jahren Zuchthaus in Hamm befindet er sich 1944 mit einem Strafbataillon 999 in Griechenland. In englischer Gefangenschaft kommt Agatz ums Leben.