A
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A Bauhaus Domesticated in São Paulo
Ethel Leon
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A Cold War Bauhaus
John R. Blakinger
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A Hot Topic
Tropical Architecture and Its Aftermath
Marion von Osten
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A Migratory Life—from Dessau to Moscow to Mexico
Hannes Meyer and Lena Bergner and the Arts
Marion von Osten
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A New School
Report of a Conference at Haus der Kulturen der Welt, Berlin – 11 May 2019
Suchitra Balasubrahmanyan
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Abraham & Thakore
NID Fashion
David Abraham
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After the Ball
Hannes Meyer Presenting the Bauhaus in Moscow
Tatiana Efrussi
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Auf der Tastatur des Bauhauses
Regina Bittner
B
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Bauhaus and the Origin of Design Education in India
Singanapalli Balaram
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Bauhaus in Russia
Haunted Houses
Tatiana Efrussi, Yuri Palmin
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Bedsit Art in the Leeds Experiment
Gavin Butt
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Between Form Sequences and Phase Films
The film experiments of Kurt Kranz
Christian Hiller
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Biology and Educational Models in the Pacific Southern Cone
David Maulen de los Reyes
C
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Case Studies of Modernist Refugees and Emigres to Australia, 1930–1950
Light, color and educational studies under the shadow of fascism and wa
Andrew McNamara, Ann Stephen, Isabel Wünsche
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Communistic Functionalist
The Anglophone Reception of Hannes Meyer
Richard Anderson
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Communitas … After Black Mountain College
Gloria Sutton
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Contemporary Reflections on NID History
Teaching through the Design Archive
Tanishka Kachru
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Corresponding With
F
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Festive and Theatrical
The Mask Photos of Gertrud Arndt and Josef Albers as an Expression of Festival Culture
Anja Guttenberger
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From Recognition to Rejection
Hannes Meyer and the Reception of the Bauhaus in the Soviet Union
Thomas Flierl
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From Social Democratic Experiment to Postwar Avant-Gardism
Asger Jorn and the International Movement for an Imaginist Bauhaus
Michael Baers, Iris Ströbel
L
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Latter-day Bauhaus?
Muriel Cooper and the Digital Imaginary
Robert Wiesenberger
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Lena Bergner
From the Bauhaus to Mexico
Marco Santiago Mondragón, María Montserrat Farías Barba, Viridiana Zavala Rivera
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Lichtwechsel
An den Übergängen vom Kaleidoskopischen zum Stroboskopischen
Tom Holert
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Light as a Creative Medium in the Art of György Kepes
Márton Orosz
M
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Meyer’s Russia, or the Land that Never Was
Adrian Rifkin
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Microfilm and Memex
Lucia Moholy, Photography and the Information Revolution
Michelle Henning
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Moving Away from Bauhaus and Ulm
The Development of an Environmental Focus in the Foundation Programme at the National Institute of Design, Ahmedabad
Suchitra Balasubrahmanyan
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Moving Away Symposium, New Delhi
Introduction
Grant Watson
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Moving Away to the Other End of the World
Reflections on the Letters Between Tibor Weiner and Hannes Meyer from the DAM Archive
Daniel Talesnik
O
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Of Art and Politics
Hannes Meyer and the Workshop of Popular Graphics
Raquel Franklin
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On Behalf of Progressive Design
Two Modern Campuses in Transcultural Dialogue
Regina Bittner
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On the Reconstruction of Kurt Schwerdtfeger’s “Reflektorische Farblichtspiele” (Reflective Colored Light Plays) from 1922
Elle Burchill, Andrea Monti, Paula Schwerdtfeger
T
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Teko Porã
On Art and Life
Cristine Takuá
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The Bauhaus is dead.
Undead.Undead.Undead.
Marion von Osten
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The Bauhaus Journey in Britain
Mariana Meneses
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The Bauhaus Manifesto
Conversation with Magdalena Droste
Magdalena Droste, Marion von Osten
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The Design of Information Overload
A Cold War Story
Beatriz Colomina
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The Extension Buildings of the ADGB Trade Union School in Bernau
Documents of the Formalism Debate in the GDR
Anja Guttenberger
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The Latent Forces of Popular Culture
Lina Bo Bardi’s Museum of Popular Art and the School of Industrial Design and Crafts in Bahia, Brazil
Ana Carolina de Souza Bierrenbach
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The World in the Province from the Province to the World
Bauhaus Ceramics in an International Context
Hans-Peter Jakobson
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The “School in the Woods” as a Socio-pedagogical Ideal
Functional Analyses and Photographs by Peterhans
Anja Guttenberger
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To Philipp Tolziner
Alice Creischer
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To train not only for, but also against something!
A plea to think politically about the interdisciplinary art academy
Andi Schoon